La briqueterie has associated Anna Carraud, Inés Hernández, Clint Lutes, and Marcela Santander Corvalán to the Dance Well project, and Julie Compans since 2025.

• Anna Carraud is a choreographer, performer and costume designer. After her training in Hip Hop with Tony Maskott and Popin Taco at Kim Kan school in Paris, she continues her training at the Body Mind Centering® and meanwhile, she studies Philosophy at Université Paris 8. In November 2022 she starts the Corps Sismographe® training with Nadia Vadori-Gauthier. She is currently working on the choreography and costumes for her performance Marie-Madeleine pourquoi tu pleures ?. In February 2023 she will perform for Nadia Vadori-Gautier in Il nous faudra beaucoup d’amour at the Musée d’art Moderne in Paris during the Festival Faits d’Hiver. She recently worked on the costumes for the duo At first, I was afraid by Jeanne Alechinsky and she also works for the Théâtre de la Ville as a consultant for poetry and dance.

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• Dancer and choreographer, Inés Hernández graduated in Contemporary Dance and Choreography at the Institut del Teatre in Barcelona. Since her arrival in France in 1995, she has collaborated, among others, with B. Sajous, Amy Garmon, M. Ricozzi, C. and F. Ben Aïm, Christian Bourigault, Dominique Brun, Juha Marsalo, F. Cellé, Yann Lheureux. In Germany she worked with Graham Smith, Joachim Schlömer and Stephanie Thiersch. Inés participated in the creation of the play Tragédie by Olivier Dubois and Auguri. Currently she is working with Cie. Sine Qua Non Art and with Claire Duran-Drouhin. She also develops her own choreographic work. She trained in Tibetan yoga Lu Jong I and II. For more than ten years, she has been developing educational work in the school, social and health sectors. She is in training for the master’s degree in dance movement therapy at the Universitat Autònoma de Barcelona.

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‍• Clint Lutes, born in the USA, is a dancer, choreographer and a promoter of cultural projects. His choreographic work is based on non-verbal communication. Since 2016 he is an associate artist of DaPoPa (Danse Pour Parkinson), a project that provides a regular dance practice to people with Parkinson disease and their care givers, health personnel and family. He works on intergenerational and intercultural research and creative projects since 2011, collaborating with, among others, the Théâtre National de Chaillot, le Théâtre de la Ville Paris, le Festival Paris Quartier d’Été, Festspielhaus St. Pölten, Theater Freiburg. He is the founder and artistic director of Lucky Trimmer in Berlin and he collaborates with the research group Labodanse. He has been working with the choreographer Eun Me Ahn for over 20 years.

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• Born in Chile, Marcela Santander Corvalán trained in dance theater at the Scuola d'Arte Drammatica Paolo Grassi in Milan,then in contemporary dance at the National Center for Contemporary Dance in Angers, under the direction of Emmanuelle Huynh. In parallel with her training, she studied history at the University of Trento in Italy and obtained a bachelor’s degree in dance at the University of Paris-8. In 2016 she took part in the Danceweb programme, as part of the ImplusTanz Festival in Vienna. Since 2011 she collaborates as a performer with choreographers Dominique Brun (Sacre #197; Sacre #2), Faustin Linyekula (Stronghold), Julie Nioche(Nosamours), Ana Rita Teodoro (Plateau; Fofo), Volmir Cordeiro (L’œil, la bouche et le reste ; Trottoir), Mylène Benoit (Archée). She also works in collaboration with choreographer Mickaël Phelippeau in Chorus (2012), Pour Ethan (2014), Set-Up (2014), Kritt (2016), Footballeuses (2017). In February 2015 she worked with Volmir Cordeiro on the piece Époque. She created her first solo Disparue in March 2016. She created MASH in July 2017 with the Italian choreographer Annamaria Ajmone and in November 2019 Quietos au Manège, national scene of Reims. In 2020 she signed a performed conference titled CONCHA – Histoires d’écoute together with Hortense Belhôte, followed by Bocas de Oro. Marcela Santander Corvalán was associate artist at La Manufacture, CDCN Nouvelle-Aquitaine Bordeaux • La Rochelle, supported by the Ministry of Culture. 

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After studying at Nice University in Anthopology of the body and Performing Art,Julie continued her training at Epse Danse Montpellier directed by Anne-MariePorras. In 2012, she joined the danse company La parenthese-Christophe Garcia, with whom she danced for more than 10 years. At the same time, she collaborates with director Marie-eve Signeyrole and choreographs in several of her opera productions in France and abroad.In 2018, she began audio-describing dance for blind and partially sighted people with Accès Culture association. She joins the dancer and choreographer, Mellina Boubetra to describe on stage, a dance which is improvised before the eyes of the public with Nyst (Vive le sujet !, Avignon Festival). An extension project entitled Nystagmus, for 12 dancers, is underway. In 2023, she joined the Dapopa team led by Clint Lutes and co-hosts theworkshops in Paris. Currently, she choreographs Bleu, a piece for two blind dancers and amusician and she dances for the company As soon as possible directed by Nina Vallon.